Indicados ao Oscar 2015 – Em Português

Melhor filme

 “Sniper americano”

 “Birdman”

 “Boyhood: Da infância à juventude”

 “O grande hotel Budapeste”

 “O jogo da imitação”

 “Selma”

 “A teoria de tudo”

 “Whiplash”

Melhor diretor

 Alejandro Gonzáles Iñárritu (“Birdman”)

 Richard Linklater (“Boyhood”)

 Bennett Miller (“Foxcatcher: Uma história que chocou o mundo”)

 Wes Anderson (“O grande hotel Budapeste”)

 Morten Tyldum (“O jogo da imitação”)

Melhor ator

 Steve Carell (“Foxcatcher”)

 Bradley Cooper (“Sniper americano”)

 Benedict Cumberbatch (“O jogo da imitação”)

 Michael Keaton (“Birdman”)

 Eddie Redmayne (“A teoria de tudo”)

Melhor ator coadjuvante

 Robert Duvall (“O juiz”)

 Ethan Hawke (“Boyhood”)

 Edward Norton (“Birdman”)

 Mark Ruffalo (“Foxcatcher”)

 JK Simmons (“Whiplash”)

Melhor atriz

 Marion Cotillard (“Dois dias, uma noite”)

 Felicity Jones (“A teoria de tudo”)

 Julianne Moore (“Para sempre Alice”)

 Rosamund Pike (“Garota exemplar”)

 Reese Witherspoon (“Livre”)

Melhor atriz coadjuvante

 Patricia Arquette (“Boyhood”)

 Laura Dern (“Livre”)

 Keira Knightley (“O jogo da imitação”)

 Emma Stone (“Birdman”)

 Meryl Streep (“Caminhos da floresta”)

Melhor filme em língua estrangeira

 “Ida” (Polônia)

 “Leviatã” (Rússia)

 “Tangerines” (Estônia)

 “Timbuktu” (Mauritânia)

 “Relatos selvagens” (Argentina)

Melhor documentário

 “O sal da terra”

 “CitizenFour”

 “Finding Vivian Maier”

 “Last days”

 “Virunga”

Melhor documentário em curta-metragem

 “Crisis Hotline: Veterans Press 1”

 “Joanna”

 “Our curse”

 “The reaper (La Parka)”

 “White earth”

Melhor animação

 “Operação Big Hero”

 “Como treinar o seu dragão 2”

 “Os Boxtrolls”

 “Song of the sea”

 “The Tale of the Princess Kaguya”

Melhor animação em curta-metragem

 “The bigger picture”

 “The dam keeper”

 “Feast”

 “Me and my moulton”

 “A single life”

Melhor curta-metragem em ‘live-action’

 “Aya”

 “Boogaloo and Graham”

 “Butter lamp (La lampe au beurre de Yak)”

 “Parvaneh”

 “The phone call”

Melhor roteiro original

 Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr. e Armando Bo (“Birdman”

 Richard Linklater (“Boyhood”)

 E. Max Frye e Dan Futterman (“Foxcatcher”)

 Wes Anderson e Hugo Guinness (“O grande hotel Budapeste”)

 Dan Gilroy (“O abutre”)

Melhor roteiro adaptado

 Jason Hall (“Sniper americano”)

 Graham Moore (“O jogo da imitação”)

 Paul Thomas Anderson (“Vício inerente”)

 Anthony McCarten (“A teoria de tudo”)

 Damien Chazelle (“Whiplash”)

Melhor fotografia

 Emmanuel Lubezki (“Birdman”)

 Robert Yeoman (“O grande hotel Budapeste”)

 Lukasz Zal e Ryszard Lenczewski (“Ida”)

 Dick Pope (“Sr. Turner”)

 Roger Deakins (“Invencível”)

Melhor montagem

 Joel Cox e Gary D. Roach (“Sniper americano”)

 Sandra Adair (“Boyhood”)

 Barney Pilling (“O grande hotel Budapeste”)

 William Goldenberg (“O jogo da imitação”)

 Tom Cross (“Whiplash”)

Melhor design de produção

 “O grande hotel Budapeste”

 “O jogo da imitação”

 “Interestelar”

 “Caminhos da floresta”

 “Sr. Turner”

Melhores efeitos visuais

 Dan DeLeeuw, Russell Earl, Bryan Grill e Dan Sudick (“Capitão América 2: O soldado invernal”)

 Joe Letteri, Dan Lemmon, Daniel Barrett e Erik Winquist (“Planeta dos macacos: O confronto”)

 Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner e Paul Corbould (“Guardiões da Galáxia”)

 Paul Franklin, Andrew Lockley, Ian Hunter e Scott Fisher (“Interestelar”)

 Richard Stammers, Lou Pecora, Tim Crosbie e Cameron Waldbauer (“X-Men: Dias de um futuro esquecido”)

Melhor figurino

 Milena Canonero (“O grande hotel Budapeste”)

 Mark Bridges (“Vício inerente”)

 Colleen Atwood (“Caminhos da floresta”)

 Anna B. Sheppard e Jane Clive (“Malévola”)

 Jacqueline Durran (“Sr. Turner”)

Melhor maquiagem e cabelo

 Bill Corso e Dennis Liddiard (“Foxcatcher”)

 Frances Hannon e Mark Coulier (“O grande hotel Budapeste”)

 Elizabeth Yianni-Georgiou e David White (“Guardiões da Galáxia”)

Melhor trilha sonora

 Alexandre Desplat (“O grande hotel Budapeste”)

 Alexandre Desplat (“O jogo da imitação”)

 Hans Zimmer (“Interestelar”)

 Gary Yershon (“Sr. Turner”)

 Jóhann Jóhannsson (“A teoria de tudo”)

Melhor canção

 “Everything is awesome”, de Shawn Patterson (“Uma aventura Lego”)

 “Glory”, de John Stephens e Lonnie Lynn (“Selma”)

 “Grateful”, de Diane Warren (“Além das luzes”)

 “I’m not gonna miss you”, de Glen Campbell e Julian Raymond (“Glen Campbell…I’ll be me”)

 “Lost Stars”, de Gregg Alexander e Danielle Brisebois (“Mesmo se nada der certo”)

Melhor edição de som

 Alan Robert Murray e Bub Asman (“Sniper americano”)

 Martín Hernández e Aaron Glascock (“Birdman”)

 Brent Burge e Jason Canovas (“O hobbit: A batalha dos cinco exércitos”)

 Richard King (“Interestelar”)

 Becky Sullivan e Andrew DeCristofaro (“Invencível”)

Melhor mixagem de som

 John Reitz, Gregg Rudloff e Walt Martin (“Sniper americano”)

 Jon Taylor, Frank A. Montaño e Thomas Varga (“Birdman”)

 Gary A. Rizzo, Gregg Landaker e Mark Weingarten (“Interestelar”)

 Jon Taylor, Frank A. Montaño e David Lee (“Invencível”)

 Craig Mann, Ben Wilkins e Thomas Curley (“Whiplash”)

http://g1.globo.com/pop-arte/oscar/2015/noticia/2015/01/veja-lista-de-indicados-ao-oscar-2015.html

Transcrito em 22 de Fevereiro de 2015

Oscar Nominees for 2015 – In English

Best Picture

American Sniper

Birdman or (The Unexpected Virtue of Ignorance)

Boyhood

The Grand Budapest Hotel

The Imitation Game

Selma

The Theory of Everything

Whiplash

 

Actor in a Leading Role

Steve Carell, Foxcatcher

Bradley Cooper, American Sniper

Benedict Cumberbatch, The Imitation Game

Michael Keaton, Birdman or (The Unexpected Virtue of Ignorance)

Eddie Redmayne m The Theory of Everything

 

Actress in a Leading Role

Marion Cotillard, Two Days, One Night

Felicity Jones, The Theory of Everything

Julianne Moore, Still Alice

Rosamund Pike, Gone Girl

Reese Witherspoon, Wild

 

Actor in a Supporting Role

Robert Duvall, The Judge

Ethan Hawke, Boyhood

Edward Norton, Birdman or (The Unexpected Virtue of Ignorance)

Mark Ruffalo, Foxcatcher

J.K. Simmons, Whiplash

 

Actress in a Supporting Role

Patricia Arquette, Boyhood

Laura Dern, Wild

Keira Knightley, The Imitation Game

Emma Stone, Birdman or (The Unexpected Virtue of Ignorance)

Meryl Streep, Into the Woods

 

Animated Feature Film

Big Hero 6, Don Hall, Chris Williams and Roy Conli

The Boxtrolls, Anthony Stacchi, Graham Annable and Travis Knight

How to Train Your Dragon 2, Dean DeBlois and Bonnie Arnold

Song of the Sea, Tomm Moore and Paul Young

The Tale of the Princess Kaguya, Isao Takahata and Yoshiaki Nishimura

 

Cinematography

Birdman or (The Unexpected Virtue of Ignorance) , Emmanuel Lubezki

The Grand Budapest Hotel, Robert Yeoman

Ida, Lukasz Zal and Ryszard Lenczewski

Mr. Turner, Dick Pope

Unbroken, Roger Deakins

 

Costume Design

The Grand Budapest Hotel, Milena Canonero

Inherent Vice, Mark Bridges

Into the Woods, Colleen Atwood

Maleficent, Anna B. Sheppard

Mr. Turner, Jacqueline Durran

 

Directing

Birdman or (The Unexpected Virtue of Ignorance),  Alejandro G. Iñárritu

Boyhood, Richard Linklater

Foxcatcher, Bennett Miller

The Grand Budapest Hotel, Wes Anderson

The Imitation Game, Morten Tyldum

 

Documentary Feature

CitizenFour, Laura Poitras, Mathilde Bonnefoy and Dirk Wilutzky

Finding Vivian Maier, John Maloof and Charlie Siskel

Last Days in Vietnam, Rory Kennedy and Keven McAlester

The Salt of the Earth, Wim Wenders, Juliano Ribeiro Salgado and David Rosier

Virunga, Orlando von Einsiedel and Joanna Natasegara

 

Documentary Short Subject

Crisis Hotline: Veterans Press 1, Ellen Goosenberg Kent and Dana Perry

Joanna,, Aneta Kopacz

Our Curse, Tomasz Śliwiński and Maciej Ślesicki

The Reaper (La Parka), Gabriel Serra Arguello

White Earth, J. Christian Jensen

 

Film Editing

American Sniper, Joel Cox and Gary D. Roach

Boyhood, Sandra Adair

The Grand Budapest Hotel, Barney Pilling

The Imitation Game, William Goldenberg

Whiplash, Tom Cross

 

Foreign Language Film

Ida, Poland; Directed by Pawel Pawlikowski

Leviathan, Russia; Directed by Andrey Zvyagintsev

Tangerines, Estonia; Directed by Zaza Urushadze

Timbuktu, Mauritania; Directed by Abderrahmane Sissako

Wild Tales, Argentina; Directed by Damián Szifron

 

Makeup and Hairstyling

Foxcatcher, Bill Corso and Dennis Liddiard

The Grand Budapest Hotel, Frances Hannon and Mark Coulier

Guardians of the Galaxy, Elizabeth Yianni-Georgiou and David White

 

Music: Original Score

The Grand Budapest Hotel, Alexandre Desplat

The Imitation Game, Alexandre Desplat

Interstellar, Hans Zimmer

Mr. Turner, Gary Yershon

The Theory of Everything, Jóhann Jóhannsson

 

Music: Original Song

“Everything Is Awesome” from THE LEGO MOVIE , Music and Lyric by Shawn Patterson

“Glory” from SELMA, Music and Lyric by John Stephens and Lonnie Lynn

“Grateful” from BEYOND THE LIGHTS, Music and Lyric by Diane Warren

“I’m Not Gonna Miss You” from GLEN CAMPBELL…I’LL BE ME, Music and Lyric by Glen Campbell and Julian Raymond

“Lost Stars” from BEGIN AGAIN, Music and Lyric by Gregg Alexander and Danielle Brisebois

 

Production Design

The Grand Budapest Hotel, Adam Stockhausen (Production Design); Anna Pinnock (Set Decoration)

The Imitation Game, Maria Djurkovic (Production Design); Tatiana Macdonald (Set Decoration)

Interstellar, Nathan Crowley (Production Design); Gary Fettis (Set Decoration)

Into the Woods, Dennis Gassner (Production Design); Anna Pinnock (Set Decoration)

Mr. Turner, Suzie Davies (Production Design); Charlotte Watts (Set Decoration)

 

Short Film: Animated

The Bigger Picture, Daisy Jacobs and Christopher Hees

The Dam Keeper, Robert Kondo and Dice Tsutsumi

Feast, Patrick Osborne and Kristina Reed

Me and My Moulton, Torill Kove

A Single Life, Joris Oprins

 

Short Film: Live Action

Aya, Oded Binnun and Mihal Brezis

Boogaloo and Graham, Michael Lennox and Ronan Blaney

Butter Lamp (La Lampe au Beurre de Yak), Hu Wei and Julien Féret

Parvaneh, Talkhon Hamzavi and Stefan Eichenberger

The Phone Call, Mat Kirkby and James Lucas

 

Sound Editing

American Sniper, Alan Robert Murray and Bub Asman

Birdman or (The Unexpected Virtue of Ignorance), Martin Hernández and Aaron Glascock

The Hobbit: The Battle of the Five Armies, Brent Burge and Jason Canovas

Interstellar, Richard King

Unbroken, Becky Sullivan and Andrew DeCristofaro

 

Sound Mixing

American Sniper, John Reitz, Gregg Rudloff and Walt Martin

Birdman or (The Unexpected Virtue of Ignorance), Jon Taylor, Frank A. Montaño and Thomas Varga

Interstellar, Gary A. Rizzo, Gregg Landaker and Mark Weingarten

Unbroken, Jon Taylor, Frank A. Montaño and David Lee

Whiplash, Craig Mann, Ben Wilkins and Thomas Curley

 

Visual Effects

Captain America: The Winter Soldier, Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick

Dawn of the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist

Guardians of the Galaxy, Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould

Interstellar, Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher

X-Men: Days of Future Past, Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer

 

Writing: Adapted Screenplay

American Sniper, Written by Jason Hall

The Imitation Game, Written by Graham Moore

Inherent Vice, Written for the screen by Paul Thomas Anderson

The Theory of Everything, Screenplay by Anthony McCarten

Whiplash, Written by Damien Chazelle

 

Writing: Original Screenplay

Birdman or (The Unexpected Virtue of Ignorance), Written by Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo

Boyhood, Written by Richard Linklater

Foxcatcher, Written by E. Max Frye and Dan Futterman

The Grand Budapest Hotel, Screenplay by Wes Anderson; Story by Wes Anderson & Hugo Guinness

Nightcrawler, Written by Dan Gilroy

 

Apud:

http://oscar.go.com/mypicks?mi_u=ce8b6dbf4c4bb2b987869ea23227c3fcb8303ee4&om_mid=_BU6dncB8-c30yR&om_swid=AA6739&cid=ealert_022215_Oscars

 

Transcribed here on February, 22 2015

Indicados para o Oscar 2014

Melhor filme

Melhor diretor

Melhor atriz

Melhor ator

Melhor ator coadjuvante

Melhor atriz coadjuvante

Melhor canção original

Melhor roteiro adaptado

Melhor roteiro original

Melhor longa de animação

Melhor documentário em longa-metragem

  • The Act of Killing
  • Cutie and the Boxer
  • Dirty Wars
  • The Square
  • 20 Feet From Stardom

Melhor longa estrangeiro

  • The Broken Circle Breakdown
  • A Grande Beleza
  • A Caça
  • The Missing Picture
  • Omar

Melhor fotografia

Melhor figurino

Melhor documentário em curta-metragem

  • CaveDigger
  • Facing Fear
  • Karama Has No Walls
  • The Lady in Number 6: Music Saved My Life
  • Prison Terminal: The Last Days of Private Jack Hall

Melhor montagem

Melhor maquiagem e cabelo

Melhor trilha sonora

Melhor design de produção

Melhor animação em curta-metragem

  • Feral
  • Get a Horse!
  • Mr. Hublot
  • Possessions
  • Room on the Broom

Melhor curta-metragem

  • Aquel No Era Yo (That Wasn’t Me)
  • Avant Que De Tout Perdre (Just Before Losing Everything)
  • Helium
  • Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)
  • The Voorman Problem

Melhor edição de som

Melhor mixagem de som

Melhores efeitos visuais

[Empréstimo de http://omelete.uol.com.br/oscar/cinema/oscar-2014-filmes-indicados/#.Utxe3WRpR-U]

Em São Paulo, 19 de Janeiro de 2014

Nominees for the Oscar 2014

Best picture 
“12 Years a Slave” 
“The Wolf of Wall Street” 
“Captain Phillips” 
“Her” 
“American Hustle” 
“Gravity” 
“Dallas Buyers Club” 
“Nebraska” 
“Philomena”

Best director 
Steve McQueen — “12 Years a Slave” 
David O. Russell — “American Hustle” 
Alfonso Cuaron — “Gravity” 
Alexander Payne — “Nebraska” 
Martin Scorsese — “The Wolf of Wall Street”

Best actor 
Bruce Dern — “Nebraska” 
Chiwetel Ejiofor — “12 Years a Slave” 
Matthew McConaughey — “Dallas Buyers Club” 
Leonardo DiCaprio — “The Wolf of Wall Street” 
Christian Bale — “American Hustle”

Best actress 
Amy Adams — “American Hustle” 
Cate Blanchett — “Blue Jasmine” 
Judi Dench — “Philomena” 
Sandra Bullock — “Gravity” 
Meryl Streep — “August: Osage County”

Best supporting actor 
Barkhad Abdi — “Captain Phillips” 
Bradley Cooper — “American Hustle” 
Jonah Hill — “The Wolf of Wall Street” 
Jared Leto — “Dallas Buyers Club” 
Michael Fassbender — “12 Years a Slave”

Best supporting actress 
Jennifer Lawrence — “American Hustle” 
Lupita Nyong’o — “12 Years a Slave” 
June Squibb — “Nebraska” 
Julia Roberts — “August: Osage County” 
Sally Hawkins — “Blue Jasmine”

Best original screenplay 
“American Hustle” — David O. Russell and Eric Warren Singer 
“Blue Jasmine” — Woody Allen 
“Her” — Spike Jonze 
“Nebraska” — Bob Nelson 
“Dallas Buyers Club” — Craig Borten and Melisa Wallack

Best adapted screenplay 
“12 Years a Slave” — John Ridley 
“Before Midnight” — Julie Delpy, Ethan Hawke and Richard Linklater
“The Wolf of Wall Street” — Terence Winter 
“Captain Phillips” — Billy Ray 
“Philomena” — Steve Coogan and Jeff Pope

Best animated feature 
“The Wind Rises” 
“Frozen” 
“Despicable Me 2” 
“Ernest & Celestine” 
“The Croods”

Best foreign feature 
“The Hunt” (Denmark) 
“The Broken Circle Breakdown” (Belgium) 
“The Great Beauty” (Italy) 
“Omar” (Palestinian territories) 
“The Missing Picture” (Cambodia)

Best music (original song) 
“Frozen”: “Let it Go” — Robert Lopez and Kristen Anderson-Lopez 
“Mandela: Long Walk to Freedom”: “Ordinary Love” — U2, Paul Hewson 
“Her”: “The Moon Song” — Karen O, Spike Jonze 
“Despicable Me 2”: “Happy” — Pharrell Williams 
“Alone Yet Not Alone”: “Alone Yet Not Alone” — Bruce Broughton, Dennis Spiegel

Best music (original score) 
“Gravity” — Steven Price 
“Philomena” — Alexandre Desplat 
“The Book Thief” — John Williams 
“Saving Mr. Banks” — Thomas Newman 
“Her” — William Butler and Owen Pallett

Best cinematography 
“Gravity” — Emmanuel Lubezki 
“Inside Llewyn Davis” — Bruno Delbonnel 
“Nebraska” — Phedon Papamichael 
“Prisoners” — Roger Deakins 
“The Grandmaster” — Phillippe Le Sourd

Best costume design 
“The Great Gatsby” — Catherine Martin 
“12 Years a Slave” — Patricia Norris 
“The Grandmaster” — William Chang Suk Ping 
“American Hustle” — Michael Wilkinson 
“The Invisible Woman” — Michael O’Connor

Best documentary feature 
“The Act of Killing” 
“20 Feet From Stardom” 
“The Square” 
“Cutie and the Boxer” 
“Dirty Wars”

Best film editing 
“Gravity” — Alfonso Cuaron, Mark Sanger 
“12 Years a Slave”– Joe Walker 
“Captain Phillips” — Christopher Rouse 
“American Hustle” — Jay Cassidy, Crispin Struthers and Alan Baumgarten 
“Dallas Buyers Club” — John Mac McMurphy and Martin Pensa

Best makeup and hairstyling 
“The Lone Ranger” — Joel Harlow and Gloria Pasqua-Casny 
“Jackass Presents: Bad Grandpa” — Stephen Prouty 
“Dallas Buyers Club” — Adruitha Lee and Robin Mathews

Best production design 
“12 Years a Slave” — Adam Stockhausen and Alice Baker 
“The Great Gatsby” — Catherine Martin and Beverley Dunn 
“American Hustle” — Judy Becker and Heather Loeffler 
“Gravity” — Andy Nicholson, Rosie Goodwin and Joanne Woollard 
“Her” — K.K. Barrett and Gene Serdena

Best visual effects 
“Gravity” 
“The Hobbit: The Desolation of Smaug” 
“Star Trek Into Darkness” 
“Iron Man 3” 
“The Lone Ranger”

Best sound mixing 
“Gravity” 
“Captain Phillips” 
“Lone Survivor” 
“Inside Llewyn Davis” 
“The Hobbit: The Desolation of Smaug”

Best sound editing 
“Gravity” 
“All Is Lost” 
“Captain Phillips” 
“Lone Survivor” 
“The Hobbit: The Desolation of Smaug”

Best short film, live action 
“Aquel No Era Yo (That Wasn’t Me)” 
“Avant Que De Tout Perdre (Just Before Losing Everything)” 
“Helium” 
“Pitaako Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)” 
“The Voorman Problem”

Best short film, animated 
“Feral” 
“Get a Horse!” 
“Mr. Hublot” 
“Possessions” 
“Room on the Broom”

Best documentary short 
“CaveDigger” 
“Facing Fear” 
“Karama Has No Walls” 
“The Lady in Number 6: Music Saved My Life” 
“Prison Terminal: The Last Days of Private Jack Hall”

[Borrowed from http://edition.cnn.com/2014/01/16/showbiz/2014-oscar-nominations-list/]

In São Paulo, Jan 19th, 2014

O que Será do meu FaceBook Quando eu Morrer?

Meu amigo Jarbas Novelino chamou minha atenção, hoje cedo, através do Facebook, para um artigo que anuncia a criação, em Israel, de algo, não virtual, infelizmente, que parece um Facebook dos Mortos. Ele fotografa lápides e cria um site onde, um perfil para cada lápide, elas são exibidas e os parentes podem deixar suas memórias e curtições para o finado.

Acho desnecessário — e meio mórbido — fotografar lápides físicas para criar os perfis em um site. Deveria ser possível, mediante a apresentação da certidão de óbido, já criar o perfil do recém-falecido (ou do falecido há tempo), com fotos e demais memorabílias.

Certamente fica mais barato. Talvez, não tão bonito: veja a foto.

Cemetery in Israel

Cemetery in Israel

Um acordo com o Mark Zuckerberg poderia até permitir que o perfil e timeline do aposentado da vida fosse transferido para o site — que poderia se tornar, por assim dizer, e com perdão do trocadilho de mau gosto, um arquivo morto do Facebook. Este teria a vantangem de poder dar uma depurada no seu sistema, eliminando os que já passaram desta para aquela. Afinal de contas, os estatísticos já preveem que em 2065 o Facebook terá mais perfis de mortos do que de vivos, dadas as curvas atuais (curvas de novos membros e de falecentes).

Sempre acho essas coisas fascinantes.

Uma rápida busca em meu blog identificou três ocasiões: duas muito perto uma da outra, em Agosto de 2006, outra no fim de 2011.

“O que Será dos meus Hard Disks?” (de 21/8/2006)

http://liberalspace.net/2006/08/21/o-que-sera-dos-meus-hard-disks/

Literatura, Cinema… Alienação? (25/8/2006)

http://liberalspace.net/2006/08/25/literatura-cinema-alienacao/

Que Será de Nossos Pertences Digitais quando Morrermos? (17/11/2011, 28/12/2011)

http://liberalspace.net/2011/12/28/que-ser-de-nossos-pertences-digitais-quando-morrermos/

Quem estiver a fim de enfrentar uma discussão meio mórbida, vá em frente.

Acho que aos poucos estamos encontrando a chave para uma vida após a morte. Ela será uma vida “apenasmente” virtual, mas é melhor do que nada. Não vai exigir ressurreição, arrebatamento, nada. Uma mera transferência dos arquivos de um site para o outro.

Em São Paulo, 19 de Novembro de 2013

Now There is a Facebook for Dead People

By Christopher Mims @mims November 18, 2013

An Israeli entrepreneur has spent “hundreds of thousands of shekels” (tens of thousands of US dollars) to photograph and log 120,000 gravestones, in an effort to create a sort of Facebook/Wikipedia for the dead. It sounds ghoulish, but the project, Neshama, is intended to be the opposite: each page is to be a memorial to a particular deceased person, where family members can leave remembrances.

So far the site encompasses just five cemeteries, but the idea for the site seems eminently exportable. It’s unclear whether Shelly Furman Asa, the site’s founder, sought permission to take the photographs. But at least in the US, there is little to protect gravestones from being photographed, and similar sites like Find A Grave and BillionGraves already serve amateur genealogists in the US.

Facebook allows relatives to “memorialize” the profile of a deceased person, and cartoonists have calculated that Facebook could have more dead people than living by as early as 2065. Neshama’s differentiator is that Facebook has only existed since 2004, but people have been marking the site of their dead relatives for millennia.

Asa says digitization of more cemeteries is ongoing, and that eventually the site will make money by charging relatives to upload images and other tokens to their relatives’ pages.

http://qz.com/148560/now-theres-a-facebook-for-dead-people/

Ayn Rand e Graham Greene

Meus dois autores favoritos de ficção são Ayn Rand e Graham Greene.

Dificilmente poderia haver dois indivíduos mais diferentes em quase todos os aspectos. Só menciono um. De um lado, uma atéia, do outro um católico fervoroso (embora tenha sido um dos grandes pecadores da história que se penitenciou narrando seus pecados, não a um confessor, mas a seus leitores).

Rand descreve seres humanos, como eles deveriam ser, interagindo com seres humanos, como efetivamente o são os da pior espécie — isto, dentro da sociedade que temos, mas na qual, ainda que pelas margens, vai sendo construída uma nova sociedade (Atlantis), agora como ela deveria ser, que, aos poucos, consegue fazer com que aquela se dobre à sua superioridade.

Greene descreve seres humanos vivendo vidas reais, agoniadas por conflitos pessoais, alguns de natureza amorosa, outros de natureza ética e religiosa, às vezes política, mas que se misturam uns com os outros e transforman a vida dos que os exibem muitas vezes num inferno.

Talvez, de todos os heróis de Rand, Hank Rearden, um dos principais personagens de Atlas Shrugged (A Rebelião de Atlas), é o que mais se parece com os anti-heróis de Greene. Dilacerado pela lealdade que ele sentia que devia ter para com uma mulher que ele não amava e a paixão que ele sentia por uma mulher que ele acreditava que não poderia ser sua, ele sofre tanto quanto os mais sofridos personagens de Greene. Mas Rearden, no decorrer do romance, vê a luz, descobre a verdade, e transcende, ou “overcomes”, o seu conflito. Os personagens de Greene em geral não têm igual sorte. Maurice Bendrix, em The End of the Affair, sofre o tempo todo, por se apaixonar por Sarah Miles, mulher de seu amigo, e, depois, por achar que ela o está traindo com um personagem misterioso, e, ainda depois, por perde-la, em uma sequência de fatos que absolutamente não parecem fazer sentido. Quando descobre o segredo que explica os fatos, esse segredo é pior do que a presumida traição, porque ele vai rouba-la dele — e do mundo — para sempre. Ninguém ganha quando luta contra Deus, é o que aparentemente conclui o romance, que termina com um Bendrix emocionalmente destruído vivendo com o amigo, agora viúvo, que ele traía. Parece um dramalhão, mas Greene sabe descrever a história com maestria e incomparável suspense de modo a prender o leitor. E o filme, na versão de 1999 (não tanto na versão de 1955) transfere a beleza da história, o sofrimento dos personagens, e o suspense da narrativa, que mantém a atenção, de forma inigualável na cinematografia recente.

Em São Paulo, 25 de Maio de 2013.

Main Winners of the Oscar for 1943

I was born in 1943. Here we have the most important winners of the Oscar for that memorable year… Dedicated to everybody was born that year.

Transcribed from http://www.filmsite.org/aa43.html, with grateful recognition.

1943

Best Picture:

“CASABLANCA”.

Other nominees: “For Whom the Bell Tolls”, “Heaven Can Wait”, “The Human Comedy”, “In Which We Serve”, “Madame Curie”, “The More the Merrier”“The Ox-Bow Incident”, “The Song of Bernadette”, “Watch on the Rhine”

Best Actor:

PAUL LUKAS in “Watch on the Rhine”

Other nominees: Humphrey Bogart in “Casablanca”, Gary Cooper in “For Whom the Bell Tolls”, Walter Pidgeon in “Madame Curie”, Mickey Rooney in “The Human Comedy”

Best Actress:

JENNIFER JONES in “The Song of Bernadette”

Other nominees: Jean Arthur in “The More the Merrier”, Ingrid Bergman in “For Whom the Bell Tolls”, Joan Fontaine in “The Constant Nymph”, Greer Garson in “Madame Curie”

Best Supporting Actor:

CHARLES COBURN in “The More the Merrier”

Other nominees: Charles Bickford in “The Song of Bernadette”, J. Carrol Naish in “Sahara”, Claude Rains in  “Casablanca”, Akim Tamiroff in “For Whom the Bell Tolls”

Best Supporting Actress:

KATINA PAXINOU in “For Whom the Bell Tolls”

Other nominees: Gladys Cooper in “The Song of Bernadette”, Paulette Goddard in “So Proudly We Hail”, Anne Revere in “The Song of Bernadette”, Lucile Watson in “Watch on the Rhine”

Best Director:

MICHAEL CURTIZ for “Casablanca”

Other nominees: Clarence Brown for “The Human Comedy”, Henry King for “The Song of Bernadette”, Ernst Lubitsch for “Heaven Can Wait”, George Stevens for “The More the Merrier”

This was the first year that Best Supporting Actors and Actresses received full-sized Oscar statuettes, rather than miniature Oscar plaques.

Director Michael Curtiz’ Casablanca (with eight nominations and three Oscar wins – Best Picture, Best Director, and Best Screenplay for Julius J. Epstein, Philip G. Epstein and Howard Koch) – the melodramatic story of international intrigue, romance and politics in the Nazi-occupied exotic locale of French Morocco, is now considered one of filmdom’s best pictures ever made. The classic masterpiece of sacrifice and comradeship deservedly won the Best Picture award for 1943, but it was a dark horse candidate. Actually, it should have competed against Mrs. Miniver (1942) (the Best Picture winner in the previous year), since it premiered in New York in November of that year. However, it didn’t show in Los Angeles until its general release that January, so it competed in 1943.

With an inspired cast, As Time Goes By, a great director, and unexpected wartime publicity, the superior film told the story of an aloof American owner (Bogart) of a bar in Casablanca who rescues his old girlfriend (Bergman) and her Resistance husband (Henreid) from the clutches of Axis authorities.

During WWII’s height, four of the Best Picture nominees in 1943 had war as their themes. In addition to the Best Picture winner, three of the other nine Best Picture nominees of 1943 were also war films with patriotic or sentimental themes:

  • writer/co-director Noel Coward’s outstanding production (with director David Lean) of the flag-waving British film In Which We Serve (with two nominations and no wins in 1943), about the lives of the crew of the torpedoed and sinking destroyer HMS Torrin during the Battle of Crete (based upon the true story of Lord Louis Mountbatten’s destroyer HMS Kelly). This film had already received a Special Award in 1942 (for Coward’s “outstanding production achievement”)
  • director Herman Shumlin’s Watch on the Rhine (with four nominations and one win – Best Actor), a film adaptation of Lillian Hellman’s successful stage play about anti-fascism and the pursuit of a European couple that is part of the anti-Nazi underground
  • director Sam Wood’s For Whom the Bell Tolls (with nine nominations and one win – Best Supporting Actress), a film adaptation of Ernest Hemingway’s romantic/adventure novel and the story of the romance between an American school teacher and a traumatized woman he meets in a rebel camp during the Spanish Civil War
  • director Henry King’s The Song of Bernadette (with twelve nominations and four wins – Best Actress, Best B/W Cinematography, Best B/W Interior Decoration, and Best Dramatic Score), the film with the most nominations for the year, based on a novel by Franz Werfel about a peasant girl who sees a vision of the Virgin Mary in a grotto at Lourdes in 1858
  • director Ernst Lubitsch’s romantic comedy/satire Heaven Can Wait (with three nominations and no wins) – a remake of Here Comes Mr. Jordan (1941) about a philandering, amorous rogue who tries to convince the Devil in Hell that he was really a good human being
  • director Clarence Brown’s The Human Comedy (with five nominations and one win – Best Original Story by William Saroyan) about the experiences of a small-town (California) Western Union telegram delivery boy during World War II
  • director Mervyn LeRoy’s film biography of the discoverer of radium, Madame Curie (with seven nominations and no wins) – both male and female leads of Best Picture nominee Madame Curie lost – they were the popular, re-teamed romantic duo Walter Pidgeon and Greer Garson (the husband and wife of Mrs. Miniver)
  • director George Stevens’ romantic comedy about a working, female civil servant who shares a cramped apartment in war-time Washington DC with two bachelors (one old gentleman – Charles Coburn and one handsome young man – Joel McCrea) in The More the Merrier (with six nominations and one win – Best Supporting Actor)
  • director William A. Wellman’s western The Ox-Bow Incident (with only one nomination – Best Picture), about a mob that wrongly lynchs the wrong men, based on Walter Van Tilburg Clark’s true story

Hungarian-born Paul Lukas (with his sole career nomination) won the Best Actor award – his first and only Oscar – for his role as Kurt Muller, a German engineer and anti-Nazi underground Resistance leader who flees the Nazis with wife Bette Davis to seek refuge in the US (Washington) and continue his freedom-fighting activities – until he is blackmailed – in Watch on the Rhine. Unfortunately, Humphrey Bogart (with his first of three career nominations), in his quintessential, signature role as disaffected cafe owner Rick Blaine in Casablanca lost the Oscar, but his nomination brought him recognition and status as a top actor.

The other three Best Actor nominees were:

  • Gary Cooper (with his fourth nomination) as freedom fighter/war hero Robert Jordan in For Whom the Bell Tolls
  • Walter Pidgeon (with his second and last unsuccessful career nomination) as co-star Greer Garson’s scientist husband Pierre Curie in Madame Curie
  • Mickey Rooney (with his second of four unsuccessful career nominations) as Western Union messenger Homer Macauley who delivers death telegrams during WWII in The Human Comedy

In the Best Actress race, this was the first time in six years that Bette Davis didn’t receive an Oscar nomination. She had been nominated as Best Actress for six consecutive years (from 1938-1942), and had won in both 1935 and 1938.

The Best Actress winner was twenty-four year-old Jennifer Jones (with her first career nomination) as the 14 year-old, 19th century French peasant girl of Lourdes named Bernadette in an adaptation of Franz Werfel’s novel The Song of Bernadette. Jones portrayed a young, saintly girl who became canonized after claiming to have seen a vision of the Virgin Mary (played by Linda Darnell, Darryl Zanuck’s mistress) while gathering firewood, and was inspired to dig a well at the spot. [Producer/director David O. Selznick’s protege (and future wife in 1949) was, in all respects, appearing in her debut film, although she had been in a few minor low-budget pictures a few years earlier under her real name – Phyllis Isley. Jennifer Jones never won another Oscar, but she was nominated four more times in the films:Since You Went Away (1944)Love Letters (1945)Duel in the Sun (1946), and Love is a Many Splendored Thing (1955).]

The Best Actress win for Jennifer Jones also deprived other great actresses of awards:

  • twenty-nine year old Ingrid Bergman, Bogart’s lovely co-star in Casablanca was unacknowledged when she failed to be nominated for her role as Ilsa Lund; however, she was nominated (her first career nomination) as Best Actress for her role as traumatized rape victim – a peasant girl named Maria in For Whom the Bell Tolls.
  • Greer Garson (with her fourth of seven Best Actress nominations – one of six nominations between 1939 and 1945) as famous scientist Madame Marie Curie who discovered radium in the fact-based biopic Madame Curie
  • Joan Fontaine (the last of three nominations in the four years between 1940 and 1943) as Tessa Sanger – a young Belgian girl in love with composer/co-star Charles Boyer in director Edmund Goulding’s The Constant Nymph (the film’s sole nomination)
  • Jean Arthur (with her sole career nomination) as career girl/government worker Connie Mulligan who shares her DC apartment with two other men in The More the Merrier. [Jean Arthur was a great screen comedienne and director Frank Capra’s favorite actress – she appeared in key roles in many classics, including:Mr. Deeds Goes to Town (1936)Easy Living (1937), Best Picture and Director winner You Can’t Take It With You (1938)Only Angels Have Wings (1939) Mr. Smith Goes to Washington (1939), and  Shane (1953), among others.]

In the Best Supporting Actor race, Charles Coburn (with his second nomination and sole Oscar win) won the Oscar for his role as Benjamin Dingle – an old, daffy gentleman who is a rich philanthropist/matchmaker sharing a room for rent in an apartment with Jean Arthur and Joel McCrea in the overcrowded, wartime US capital during wartime in The More the Merrier. The other four nominees were:

  • Claude Rains (with his second of four unsuccessful nominations) as the suave, Casablanca police chief Captain Louis Renault in  Casablanca
  • Akim Tamiroff (with his second and last unsuccessful nomination) as Spanish guerrilla leader Pablo in For Whom the Bell Tolls
  • Charles Bickford (with the first of three unsuccessful nominations) as local priest Peyremaie in The Song of Bernadette
  • J. Carrol Naish (with his first of two unsuccessful nominations) as Italian POW Giuseppe in director Zoltan Korda’s Libyan desert war film Sahara (with three nominations and no wins)

Greek actress Katina Paxinou (in her first American film and with her first and sole nomination) won the Best Supporting Actress award – her first and only Oscar – for her role as the powerful and fiery hill woman and gypsy Spanish Civil War revolutionary Pilar (Akim Tamiroff’s wife in the film) who is a member of a loyalist band helped by Gary Cooper in For Whom the Bell Tolls.

Paxinou’s victory defeated two co-stars of The Song of Bernadette:

  • Gladys Cooper (with her second of three unsuccessful nominations) as doubting Sister Vauzous
  • Anne Revere (with her first nomination) as Bernadette’s poor mother Louise Soubirous

The remaining two nominees in the Best Supporting Actress category were:

  • Paulette Goddard (with her sole career nomination) as WW II Army nurse in Bataan named Lt. Jean O’Doul in director Mark Sandrich’s So Proudly We Hail(with four nominations and no wins)
  • Lucile Watson (with her sole career nomination) as bossy Fanny Farrelly (Bette Davis’ mother) in Watch on the Rhine

Max Steiner’s score for the Best Picture winner, including the immortal song: “As Time Goes By,” lost to Alfred Newman’s Score for The Song of Bernadette. Arthur Edeson’s Oscar-nominated B/W Cinematography for  Casablanca was defeated by Arthur Miller for The Song of Bernadette.

Oscar Snubs and Omissions:

Although The More the Merrier had received nominations for Best Picture, Best Actress, Best Director (George Stevens), Best Original Story and Screenplay, and a win for Best Supporting Actor, Joel McCrea was deprived of an Oscar nomination for his crucial comic role in the film. In fact, McCrea never received an Oscar nomination.

Ironically, Ingrid Bergman was nominated (and lost) for For Whom the Bell Tolls as Gary Cooper’s lover, but was un-nominated for her most famous role as beautiful and radiant Ilsa Lund, co-star Humphrey Bogart’s Parisian love interest, in Casablanca. Also un-nominated was Ida Lupino’s great performance in The Hard Way – the role won her the Best Actress award from the New York Film Critics. Likewise, the great silent film director Erich von Stroheim was omitted from the nominees for his role as Erwin Rommel in Billy Wilder’s second film, Five Graves to Cairo. [Stroheim would have to wait seven years for his first nomination — for his unforgettable role as Max von Mayerling in Sunset Boulevard (1950).]

The Best Picture-nominated film The Ox-Bow Incident was a deserved honor, but none of the cast, including Henry Fonda, was nominated. Ernst Lubitsch’s nomination for Best Director for the Best Picture nominee Heaven Can Wait was doomed to lose. Actor Don Ameche turned in one of his best performances in the film and it was one of Lubitsch’s greatest, but 20th Century-Fox was promoting The Song of Bernadette instead.

One of Hitchcock’s greatest thrillers (and the director’s own favorite), Shadow of a Doubt, deserved more recognition than it received – only a Best Original Screenplay nomination – snubbed were both Joseph Cotten’s chilling role as dark-hearted, widow-murdering serial killer Uncle Charlie, and Teresa Wright’s performance as Young Charlie (Charlie’s niece). [Joseph Cotten never received an Oscar nomination, although he appeared in some of the greatest films ever made, including  Citizen Kane (1941) and The Magnificent Ambersons (1942).]

Elizabeth Taylor’s second film Lassie Come Home, the first feature film to star a collie, helped to launch her career and the beloved animal series that began in 1954 – it received only one nomination – for Color Cinematography. [Lassie Come Home was followed by six sequels.] The feature film that was the directing debut of Vincente Minnelli was Cabin in the Sky – it featured an all-black cast. The film’s sole un-successful nomination was for Best Song, “Happiness is a Thing Called Joe.”

Other films without any nominations included Old Acquaintance (with Bette Davis and Miriam Hopkins) and two of Jacques Tourneur’s best horror films with producer Val Lewton: Cat People with Simone Simon, and I Walked With a Zombie. Hangmen Also Die received only two nominations (for Best Song and Score).

Em São Paulo, 24 de Maio de 2013

 

O Roteiro Adaptado Ganhador do Oscar 2013 (ARGO)

O filme ARGO, que ganhou o OSCAR de Melhor Filme, também ganhou mais dois OSCARs: melhor roteiro baseado em material previamente publicado (que antes se chamava melhor roteiro adaptado) e edição.

O “material previamente publicado”, no caso, era um longo artigo na revista WIRED de 24/4/2007.

Quem viu o filme, ou quem vai ver, poderá confrontar as liberdades tomadas com o material original, jornalístico. Aqui está o link para o texto da WIRED que serviu de base para o roteiro ganhador do OSCAR de 2013:

http://www.wired.com/magazine/2007/04/feat_cia/

Há material complementar ao artigo da WIRED, descrevendo como se encontram hoje (2007) os seis americanos libertados do Iran:

http://www.wired.com/magazine/2007/04/feat_cia_sb/

Minha atenção foi levada ao material da Wired por um artigo de Álvaro Pereira Júnior na Folha de S. Paulo de 2/3/2013:

http://www1.folha.uol.com.br/fsp/ilustrada/96369-os-tapeceiros-de-quotargoquot.shtml

Vale a pena conferir.

Em São Paulo, 2 de Março de 2013

Os Indicados e os Vencedores do Oscar 2013 (Português)

Abaixo, a lista de indicados e dos vencedores do Oscar 2013 :

Filme
“Indomável sonhadora”
“O lado bom da vida”
“A hora mais escura”
“Lincoln”
“Os Miseráveis”
“As aventuras de Pi”
“Amor”
“Django livre”
==> ”Argo”

Diretor
Michael Haneke (“Amor”)
Benh Zeitlin (“Indomável sonhadora”)
==> Ang Lee (“As aventuras de Pi”)
Steven Spielberg (“Lincoln”)
David O. Russell (“O lado bom da vida)

Ator
==> Daniel Day-Lewis (“Lincoln”)
Denzel Washington (“Voo”)
Hugh Jackman (“Os miseráveis”)
Bradley Cooper (“O lado bom da vida”)
Joaquin Phoenix (“O mestre”)

Atriz
Naomi Watts (“O impossível”)
Jessica Chastain (“A hora mais escura”)
==> Jennifer Lawrence (“O lado bom da vida”)
Emmanuelle Riva (“Amor”)
Quvenzhané Wallis (“Indomável sonhadora”)

Ator coadjuvante
==> Christoph Waltz (“Django livre”)
Philip Seymour-Hoffman (“O mestre”)
Robert De Niro (“O lado bom da vida”)
Tommy Lee Jones (“Lincoln”)
Alan Arkin (“Argo”)

Atriz coadjuvante
Sally Field (“Lincoln”)
==> Anne Hathaway (“Os miseráveis”)
Jacki Weaver (“O lado bom da vida”)
Helen Hunt (“The sessions”)
Amy Adams (“O mestre”)

Roteiro original
Michael Haneke (“Amor”)
==> Quentin Tarantino (“Django livre”)
John Gatins (“Voo”)
Wes Anderson e Roman Coppola (“Moonrise kingdom”)
Mark Boal (“A hora mais escura”)

Roteiro adaptado
==> Chris Terrio (“Argo”)
Lucy Alibar e Benh Zeitlin (“Indomável sonhadora”)
David Magee (“As aventuras de Pi”)
Tony Kushner (“Lincoln”)
David O. Russell (“O lado bom da vida”)

Filme estrangeiro
==> “Amor” (Áustria)
“No” (Chile)
“War witch” (Canadá)
“O amante da rainha” (Dinamarca)
“Kon-tiki” (Noruega)

Animação
==> “Valente”
“Frankenweenie”
“ParaNorman”
“Piratas pirados!”
“Detona Ralph”

Fotografia
“Anna Karenina”
“Django livre”
==> As aventuras de Pi”
“Lincoln”
“007 – Operação Skyfall”

Edição
==> “Argo”
“A vida de Pi”
“Lincoln”
“A hora mais escura”
“O lado bom da vida”

Design de produção
“Anna Karenina”
“O hobbit: Uma jornada inesperada”
“Os miseráveis”
“A vida de Pi”
==> “Lincoln”

Figurino
==> “Anna Karenina”
“Os miseráveis”
“Lincoln”
“Espelho, espelho meu”
“Branca de Neve e o caçador”

Maquiagem e cabelo
“Hitchcock”
==> “Os miseráveis”
“O hobbit: Uma jornada inesperada”

Trilha sonora original
Dario Marianelli (“Anna Karenina”)
Alexandre Desplat (“Argo”)
==> Mychael Danna (“As aventuras de Pi”)
John Williams (“Lincoln”)
Thomas Newman (“007 – Operação Skyfall”)

Canção original
“Before my time”, de “Chasing ice” – J. Ralph (música e letra)
“Everybody needs a best friend”, de “Ted” – Walter Murphy (música) e Seth MacFarlane (letra)
“Pi’s lullaby”, de “As aventuras de Pi” – Mychael Danna (música) e Bombay Jayashri (letra)
==>” Skyfall”, de “007 – Operação Skyfall” – Adele (música e letra)
“Suddenly”, de “Os miseráveis” – Claude-Michel Schönberg (música), Herbert Kretzmer (letra) e Alain Boublil (letra)

Mixagem de som
“Argo”
==> “Os miseráveis”
“As aventuras de Pi”
“Lincoln”
“007 – Operação Skyfall”

Edição de som
“Argo”
“Django livre”
“As aventuras de Pi”
==> “A hora mais escura” [Houve empate]
==> “007 – Operação Skyfall” [Houve empate]

Efeitos visuais
“O hobbit: Uma jornada inesperada”
==> ”As aventuras de Pi”
“Os vingadores”
“Prometheus”
“Branca de Neve e o caçador”

Documentário em longa-metragem
“5 broken cameras”
“The gatekeepers”
“How to survive a plague”
“The invisible war”
==> “Searching for a sugar man”

Documentário em curta-metragem
==> “Inocente”
“Kings point”
“Mondays at Racine”
“Open heart”
“Redemption”

Melhor curta-metragem Live
“Asad”
“Buzkashi boys”
==> “Curfew”
“Death of a shadow (doos van een schaduw)”
“Henry”

Curta-metragem de animação
“Adam and dog”
“Fresh guacamole”
“Head over heels”
“Maggie Simpson in ‘The Longest Daycare'”
==> “Paperman”

São Paulo, 25 de Fevereiro de 2013

The Oscar 2013 Nominees and Winners (English)

The 85th Annual Academy Awards

Broadcast starts at 8pm ET/5pm PT on Sunday, February 24, 2013 on ABC, with the official ceremony beginning at 8:30pm ET/5:30pm PT.

Best Motion Picture of the Year

Amour (2012): Margaret Ménégoz, Stefan Arndt, Veit Heiduschka, Michael Katz

==> Argo (2012): Grant Heslov, Ben Affleck, George Clooney

Beasts of the Southern Wild (2012): Dan Janvey, Josh Penn, Michael Gottwald

Django Unchained (2012): Stacey Sher, Reginald Hudlin, Pilar Savone

Les Misérables (2012): Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh

Life of Pi (2012): Gil Netter, Ang Lee, David Womark

Lincoln (2012): Steven Spielberg, Kathleen Kennedy

Silver Linings Playbook (2012): Donna Gigliotti, Bruce Cohen, Jonathan Gordon

Zero Dark Thirty (2012): Mark Boal, Kathryn Bigelow, Megan Ellison

Best Achievement in Directing

Michael Haneke for Amour (2012)

==> Ang Lee for Life of Pi (2012)

David O. Russell for Silver Linings Playbook (2012)

Steven Spielberg for Lincoln (2012)

Benh Zeitlin for Beasts of the Southern Wild (2012)

Best Performance by an Actor in a Leading Role

Bradley Cooper for Silver Linings Playbook (2012)

==> Daniel Day-Lewis for Lincoln (2012)

Hugh Jackman for Les Misérables (2012)

Joaquin Phoenix for The Master (2012)

Denzel Washington for Flight (2012/I)

Best Performance by an Actress in a Leading Role

Jessica Chastain for Zero Dark Thirty (2012)

==> Jennifer Lawrence for Silver Linings Playbook (2012)

Emmanuelle Riva for Amour (2012)

Quvenzhané Wallis for Beasts of the Southern Wild (2012)

Naomi Watts for The Impossible (2012)

Best Performance by an Actor in a Supporting Role

Alan Arkin for Argo (2012)

Robert De Niro for Silver Linings Playbook (2012)

Philip Seymour Hoffman for The Master (2012)

Tommy Lee Jones for Lincoln (2012)

==> Christoph Waltz for Django Unchained (2012)

Best Performance by an Actress in a Supporting Role

Amy Adams for The Master (2012)

Sally Field for Lincoln (2012)

==> Anne Hathaway for Les Misérables (2012)

Helen Hunt for The Sessions (2012)

Jacki Weaver for Silver Linings Playbook (2012)

Best Writing, Screenplay Written Directly for the Screen

Amour (2012): Michael Haneke

==> Django Unchained (2012): Quentin Tarantino

Flight (2012/I): John Gatins

Moonrise Kingdom (2012): Wes Anderson, Roman Coppola

Zero Dark Thirty (2012): Mark Boal

Best Writing, Screenplay Based on Material Previously Produced or Published

==> Argo (2012): Chris Terrio

Beasts of the Southern Wild (2012): Lucy Alibar, Benh Zeitlin

Life of Pi (2012): David Magee

Lincoln (2012): Tony Kushner

Silver Linings Playbook (2012): David O. Russell

Best Foreign Language Film of the Year

==> Amour (2012)(Austria)

War Witch (2012)(Canada)

No (2012/I)(Chile)

A Royal Affair (2012)(Denmark)

Kon-Tiki (2012)(Norway)

Best Animated Feature Film of the Year

==> Brave (2012): Mark Andrews, Brenda Chapman

Frankenweenie (2012): Tim Burton

ParaNorman (2012): Sam Fell, Chris Butler

The Pirates! Band of Misfits (2012): Peter Lord

Wreck-It Ralph (2012): Rich Moore

Best Achievement in Cinematography

Anna Karenina (2012/I): Seamus McGarvey

Django Unchained (2012): Robert Richardson

==> Life of Pi (2012): Claudio Miranda

Lincoln (2012): Janusz Kaminski

Skyfall (2012): Roger Deakins

Best Achievement in Editing

==> Argo (2012): William Goldenberg

Life of Pi (2012): Tim Squyres

Lincoln (2012): Michael Kahn

Silver Linings Playbook (2012): Jay Cassidy, Crispin Struthers

Zero Dark Thirty (2012): William Goldenberg, Dylan Tichenor

Best Achievement in Production Design

Anna Karenina (2012/I): Sarah Greenwood, Katie Spencer

The Hobbit: An Unexpected Journey (2012): Dan Hennah, Ra Vincent, Simon Bright

Les Misérables (2012): Eve Stewart, Anna Lynch-Robinson

Life of Pi (2012): David Gropman, Anna Pinnock

==> Lincoln (2012): Rick Carter, Jim Erickson

Best Achievement in Costume Design

==> Anna Karenina (2012/I): Jacqueline Durran

Les Misérables (2012): Paco Delgado

Lincoln (2012): Joanna Johnston

Mirror Mirror (2012/I): Eiko Ishioka

Snow White and the Huntsman (2012): Colleen Atwood

Best Achievement in Makeup and Hairstyling

Hitchcock (2012): Howard Berger, Peter Montagna, Martin Samuel

The Hobbit: An Unexpected Journey (2012): Peter King, Rick Findlater, Tami Lane

==> Les Misérables (2012): Lisa Westcott, Julie Dartnell

Best Achievement in Music Written for Motion Pictures, Original Score

Anna Karenina (2012/I): Dario Marianelli

Argo (2012): Alexandre Desplat

—> Life of Pi (2012): Mychael Danna

Lincoln (2012): John Williams

Skyfall (2012): Thomas Newman

Best Achievement in Music Written for Motion Pictures, Original Song

Chasing Ice (2012): J. Ralph (“Before My Time”)

Les Misérables (2012): Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer (“Suddenly”)

Life of Pi (2012): Mychael Danna, Bombay Jayshree (“Pi’s Lullaby”)

==> Skyfall (2012): Adele, Paul Epworth (“Skyfall”)

Ted (2012): Walter Murphy, Seth MacFarlane (“Everybody Needs a Best Friend”)

Best Achievement in Sound Mixing

Argo (2012): John T. Reitz, Gregg Rudloff, José Antonio García

==> Les Misérables (2012): Andy Nelson, Mark Paterson, Simon Hayes

Life of Pi (2012): Ron Bartlett, Doug Hemphill, Drew Kunin

Lincoln (2012): Andy Nelson, Gary Rydstrom, Ron Judkins

Skyfall (2012): Scott Millan, Greg P. Russell, Stuart Wilson

Best Achievement in Sound Editing

Argo (2012): Erik Aadahl, Ethan Van der Ryn

Django Unchained (2012): Wylie Stateman

Life of Pi (2012): Eugene Gearty, Philip Stockton

==>Skyfall (2012): Per Hallberg, Karen M. Baker (there was a tie)

==> Zero Dark Thirty (2012): Paul N.J. Ottosson (there was a tie)

Best Achievement in Visual Effects

The Avengers (2012): Janek Sirrs, Jeff White, Guy Williams, Daniel Sudick

The Hobbit: An Unexpected Journey (2012): Joe Letteri, Eric Saindon, David Clayton, R. Christopher White

==> Life of Pi (2012): Bill Westenhofer, Guillaume Rocheron, Erik De Boer, Donald Elliott

Prometheus (2012/I): Richard Stammers, Trevor Wood, Charley Henley, Martin Hill

Snow White and the Huntsman (2012): Cedric Nicolas-Troyan, Phil Brennan, Neil Corbould,Michael Dawson

Best Documentary, Feature

5 Broken Cameras (2011): Emad Burnat, Guy Davidi

The Gatekeepers (2012): Dror Moreh, Philippa Kowarsky, Estelle Fialon

How to Survive a Plague (2012): David France, Howard Gertler

The Invisible War (2012): Kirby Dick, Amy Ziering

==> Searching for Sugar Man (2012): Malik Bendjelloul, Simon Chinn

Best Documentary, Short Subject

==> Inocente (2012): Sean Fine, Andrea Nix

Kings Point (2012): Sari Gilman, Jedd Wider

Mondays at Racine (2012): Cynthia Wade, Robin Honan

Open Heart (2013): Kief Davidson, Cori Shepherd Stern

Redemption (2012/V): Jon Alpert, Matthew O’Neill

Best Short Film, Live Action

Asad (2012): Bryan Buckley, Mino Jarjoura

Buzkashi Boys (2012): Sam French, Ariel Nasr

==> Curfew (2012/I): Shawn Christensen

Death of a Shadow (2012): Tom Van Avermaet, Ellen De Waele

Henry (2011/III): Yan England

Best Short Film, Animated

Adam and Dog (2011): Minkyu Lee

Fresh Guacamole (2012): PES

Head Over Heels (2012): Timothy Reckart, Fodhla Cronin O’Reilly

==> Paperman (2012): John Kahrs

The Simpsons: The Longest Daycare (2012): David Silverman

Em São Paulo, 25 de Fevereiro de 2013